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Calendar February 8, 2010 12:53

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Arachnid Ben Driss.

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Calendar December 20, 2009 18:06

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Rapid Feebus.


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Calendar December 20, 2009 12:27

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ZOMB-ME.


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Calendar December 20, 2009 12:25

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X-RAY FAYE.


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Calendar December 20, 2009 12:22

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Talk to FRANK.


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Calendar December 20, 2009 12:20

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The intense designs of Larry Scabs.


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Calendar December 20, 2009 12:18

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ASTRO CREEP.


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Calendar December 20, 2009 12:17

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WES.


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Calendar December 14, 2009 13:05

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Elsa.

Heres a colour piece I did way back in 1998 but I recently got it scanned to send out to a friend and thought I would put it on here for anyone who'se interested, its a bit poor quality as its a scan of a picture from an ancient printer but it makes me grin!

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Calendar December 14, 2009 12:05

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MONSTERS AT WORK.

Im filling an A6 pad up with portraits of Monsters when I get spare time during my "day job"
Inspired by the works of Shane Oakley and Eliza Gauger these fiends slide up and out of my brains into my pens and onto the paper for your peepers with the greatest of sleaze, here are the first batch... Enjoy!

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Calendar December 14, 2009 12:01

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HARKONNEN.


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Calendar December 14, 2009 12:00

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Obidiah Marsh of Innsmouth.


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Calendar December 14, 2009 11:59

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All Tomorrows Villians.


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Calendar December 14, 2009 11:57

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PRETTY BONE MACHINE.

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Calendar December 14, 2009 11:50

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Amy Crackhouse.

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Calendar October 25, 2009 03:57

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He's a very naughty boy.


I was lucky enough to get me hands on a signed copy of Bryan Talbots new book GRANDVILLE for my birthday and what a fine gift it was too (Cheers Dave).

The first time I became fully aware of his art was when he took over the art duties from my beloved Kevin O'Neill on Nemesis the warlock during the books Gothic empire phase which considering the high regard I hold his work in wouldve been a tall order but Bryan took the bull by the horns and shook the fucker to death before my very eyes.

His work, like Mister O'Neills, was brilliantly weird, astonishingly designed, beautifully detailed and incredibly violent and I loved it.

Since then I have tried to read everything I could get my hands on with a couple of exceptions the most recent being Alice in Sunderland which was an absolute feast for the brain.

Now he has given us GRANDVILLE and it is a total monster, the book starts with a rip roaring steam carriage chase through a decaying Parisian refinery in which the players are routinely shot, cooked and blown up and it doesnt let up from there.

The Main Character is a burly Badger in the vein of Sin Citys Marv who when he isnt solving the series of crimes that drive the book is dispensing rough justice to all and sundry in a manner befitting of old school Dredd.

There is a scene in which surrounded by rascals our hero nuts Barbar the elephants badboy cousin before setting him on fire!

Personally I couldnt ask for more, Its even got a gloriously melancholy appearance from TinTins four legged companion set in an opium den that first appeared in an etching by Gustav Dore!

Buy this book!

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Calendar September 27, 2009 02:53

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The object of destruction.


This has sat quietly moldering in my sketch pads since 1995-ish when I was listening to a bit too much of the Orb and ingesting a little too much colourful blotting paper.

Its too static and landscape and needed tweaking but as a precursor to the apocalyptic Astronaut storyline thats lurking in the future its a nice apperitif.

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About

I have been illustrating for over 30 years, I work as a full time tattooist and a part time freelance illustrator. I have had many of my pieces published by AccentUK and I have been lucky enough to work with some fantastic people such as Andy Bloor and Owen Johnson as well as being offered work by 2000AD.

I only have a small selection on here but I have more pieces available. I have chosen pieces that show a variety of styles and although I am predominantly a 'black ink on paper' kind of guy, I also use programs such as Photoshop and Illustrator to achieve vibrant colours and finishes.

Feel free to contact me and I will answer any questions you have.

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